Performance Art in China and 50 similar items
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Performance Art in China
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View full item details »
Las opciones de envío
No hay precio de envío se especifica en MX
Los buques de
United States

Política de oferta
OBO - El vendedor acepta ofertas en este artículo.
Detalles
La política de devoluciones
Full refund available within 30 days
Protección de compra
Opciones de pago
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Rasgos del artículo
Categoría: | |
---|---|
cantidad disponible: |
Sólo uno en stock, para muy pronto |
Condition: |
Very Good |
ISBN: |
9789889926595 |
Author: |
Thomas J. Berghuis |
Book Title: |
Performance Art in China |
Language: |
English |
Topic: | |
Format: |
Hardcover |
Publisher: |
Timezone 8 The Limited |
Genre: |
Art |
Publication Year: |
2007 |
Illustrator: |
Yes |
Item Height: |
1.4 in |
Item Length: |
10.8 in |
Item Weight: |
35.8 Oz |
Item Width: |
8.5 in |
Number of Pages: |
320 Pages |
Seller Notes: |
Detalles del anuncio
Envío de descuento: |
No ofrece el envío combinado |
---|---|
Publicado en venta: |
August 22 |
Artículo número: |
1766226857 |
Descripción del Artículo
Birkitts Books presents ...
Performance Art in China
ISBN:
9889926598
Author:
Berghuis, Thomas
Publisher:
Blue Kingfisher
Release Date:
2007-07-01
Seller Category:
Entertainment
Qty Available:
1
Condition:
Used: Very Good
Sku: 250627001
Notes: Minor shelf wear, binding tight, pages clean and unmarked. Performance Art in China takes as its subject one of the most dynamic and controversial areas of experimental art practice in China. In his comprehensive study, Sydney-based theorist and art historian Thomas J. Berghuis introduces and investigates the idea of the "role of the mediated subject of the acting body in art," a notion grounded in the realization that the body is always present in art practice, as well as its subsequent, secondary representations. Through a series of in-depth case studies, Berghuis reveals how, during the past 25 years, Chinese performance artists have "acted out" their art, often in opposition to the principles governing correct behavior in the public domain. In addition to a 25-year chronology of events, a systematic index of places, names and key terms, as well as a bibliography and a glossary in English and Chinese, this study also offers the reader numerous previously unpublished photos and documents.
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