Henri Émile Benoît Matisse and 50 similar items
Henri Émile Benoît Matisse
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    Rasgos del artículo
| Categoría: | |
|---|---|
| cantidad disponible: | 
             Sólo uno en stock, para muy pronto  | 
        
| Condition: | 
             Like New  | 
        
| Author: | 
             by Ronad Alley (Translator), Jean Leymarie (Introduction)  | 
        
| Language: | 
             English  | 
        
| Topic: | 
             Biography & Autobiography Art  | 
        
| Format: | 
             Paperback  | 
        
| Publication Year: | 
             1978  | 
        
| Country/Region of Manufacture: | 
             United States  | 
        
Detalles del anuncio
| Envío de descuento: | 
             No ofrece el envío combinado  | 
        
|---|---|
| Publicado en venta: | 
             Más de una semana  | 
        
| Artículo número: | 
             1185468103  | 
        
Descripción del Artículo
      Matisse, (The Great Artists, A Library of Their Lives, Times and Paintings, Book 20)
by Ronad Alley (Translator), Jean Leymarie (Introduction)
Publisher: Funk Wagnalls, Inc.; 3rd Edition (1978)
Series ISBN#: 0834300060
Paperback: 36 pages
Item Weight: 10.4 ounces
10.25 x 14 inches
Matisse, The Great Artists, A library of their lives, times and paintings. Book 20 in the 25 volume series.
--------------------
Henri Émile Benoît Matisse (31 December 1869 – 3 November 1954) was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
The intense colorism of the works he painted between 1900 and 1905 brought him notoriety as one of the Fauves (wild beasts). Many of his finest works were created in the decade or so after 1906, when he developed a rigorous style that emphasized flattened forms and decorative pattern. In 1917, he relocated to a suburb of Nice on the French Riviera, and the more relaxed style of his work during the 1920s gained him critical acclaim as an upholder of the classical tradition in French painting. After 1930, he adopted a bolder simplification of form. When ill health in his final years prevented him from painting, he created an important body of work in the medium of cut paper collage.
His mastery of the expressive language of colour and drawing, displayed in a body of work spanning over a half-century, won him recognition as a leading figure in modern art.
  
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