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*COBRA (1925) Rudolph Valentino & Eileen Percy Silent Film Drama Double-Wt 8x10

$1,446.99 MXN
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Las opciones de envío

Los buques de 2 business days Detalles
No hay precio de envío se especifica en MX
Los buques de United States Us

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Refunds available: See booth/item description for details Detalles

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

Black & White

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

Unspecified by seller, may be new.

Country/Region of Manufacture:

United States

Size:

8x10 inches

Style:

Black & White

Industry:

Movies

Year:

Pre-1940

Object Type:

Photograph

Original/Reproduction:

Original

Modified Item:

No

Film Title:

Cobra

Director:

Joseph Henabery

Actors:

Rudolph Valentino, Eileen Percy

Item Number:

CH-COBRA-S01

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Envío de descuento:

No ofrece el envío combinado

Publicado en venta:

Más de una semana

Artículo número:

1319287930

Descripción del Artículo

Vintage original 8 x 10 in. US double-weight matte photograph from the 1920's silent film drama/romance, COBRA, released in 1925 by Paramount Pictures and directed by Joseph Henabery. Rudolph Valentino stars as a penniless, skirt-chasing Italian nobleman finds love and scandal when he travels to New York City. The image features an interior shot of Count Rodrigo Torriani (Rudolph Valentino) in a heated discussion with Sophie Binner (Eileen Percy). It is in fine+ condition as shown. Provenance: The Sydney R. Barker Collection. Mr. Barker was one of the best-known of the early collectors on Valentino. This was the first film from the production company of star Rudolph Valentino and his wife, Natacha Rambova, who had a small part. Reportedly, Rambova began to rewrite the script almost immediately after filming began, and made such a mess of it that the studio called in veteran screenwriter June Mathis to do a complete rewrite. Rambova was initially brought on to design sets and costumes but became "bored" and left to work on another project. The supper-club set that designed reportedly required 150 studio lights. Director Joseph Henabery later admitted that none of the cast members of this film would have been his first choices, had he been given any say in the matter. He also didn't like the script and was very sick throughout the production due to the lack of heating at the studio.