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Primary image for *Motion Picture Director A. EDWARD "EDDIE" SUTHERLAND (c.1930s) On-Set Candid

*Motion Picture Director A. EDWARD "EDDIE" SUTHERLAND (c.1930s) On-Set Candid

$385.90 MXN
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Las opciones de envío

Los buques de 2 business days Detalles
No hay precio de envío se especifica en MX
Los buques de United States Us

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Refunds available: See booth/item description for details Detalles

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

Black & White

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

Unspecified by seller, may be new.

Country/Region of Manufacture:

United States

Size:

8 x 10 inches

Style:

Black & White

Industry:

Movies

Year:

Pre-1940

Object Type:

Photograph

Original/Reproduction:

Reproduction

Item:

Vintage single-weight glossy copy photograph

Personality:

Motion picture director A. Edward Sutherland

Modified Item:

No

Detalles del anuncio

Las políticas del vendedor:

Ver las políticas del vendedor

Envío de descuento:

No ofrece el envío combinado

Publicado en venta:

Más de una semana

Artículo número:

1230974201

Descripción del Artículo

Vintage 8 x 10 in. US single-weight glossy copy photograph (not a vintage original photo printed at the time it was taken) depicting motion picture director A. EDWARD SUTHERLAND (AKA Eddie Sutherland). He is depicted in a candid shot taken on a set during the production of film as he sits in his director's chair while the script girl takes notes. It is in very fine condition. British-born A. Edward ("Eddie") Sutherland started in vaudeville and acted in films from 1914 at the Mack Sennett Studios (he was one of the original Keystone Kops). He became a director in 1925, first with Paramount (1925-31), then at United Artists (1931-32), again with Paramount (1933, 1935-37), then Universal (1940-41), and RKO (1942). He hit his stride in the 1930s and 1940s with a string of well-received comedies starring Laurel Hardy and W.C. Fields, but his Abie's Irish Rose (1946), an adaptation of the often-filmed stage play, which he also produced, was such a critical and financial disaster that he could not find work as a director in Hollywood again. In the 1950s, he went to Britain and ended his career directing episodic television.