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BAYSIDE (EMO) - VACANCY NEW CD

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Las opciones de envío

No hay precio de envío se especifica en MX
Los buques de United States Us

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Full refund available for DOAs

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

CDs

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

Brand New

Style:

Rock Emo

Release Year:

2016

Artist:

Bayside

Format:

CD

UPC:

0790692226726

Record Label:

Hop, Hopeless Records

Release Title:

Vacancy

Genre:

Rock

Detalles del anuncio

Envío de descuento:

Pesos de envío de todos los elementos se suman para el ahorro.

Publicado en venta:

Más de una semana

Artículo número:

1718785865

Descripción del Artículo

Product Description Biting and acerbic, Bayside's seventh effort Vacancy is a walloping break-up album. Inspired by frontman Anthony Raneri's divorce and the subsequent fallout, Vacancy represents both the void left in the wake of his split as well as the literal signage on the Nashville hotel he called home after the separation. For the quartet -- rounded out by guitarist Jack O'Shea, bassist Nick Ghanbarian, and drummer Chris Guglielmo -- it's a continuation of a sound they've hinted at since 2008's Shudder. They're no longer strictly emo or pop-punk, sounding less like Jimmy Eat World or Alkaline Trio and more like Death Cab for Cutie or Weezer. That punk-influenced power pop is put at the fore on Vacancy, also employing some theatrical show tune flourish courtesy of producer -- and Tony Award-nominated Hedwig and the Angry Inch sound designer -- Tim O'Heir (Say Anything, Hot Rod Circuit, All-American Rejects). Those bells and whistles lend a Dear Hunter-meets-Queen vibe to Vacancy, especially on "Enemy Lines" and "I've Been Dead All Day." The dramatics are appropriate for the emotional content, adding heft to the fearlessly honest and unabashed lyrics. Those verbal burns singe throughout, as Raneri growls and snarls, at times calling out his former partner ("I don't know what I should call you now" on "Two Letters") or helplessly throwing his hands up in surrender ("I can't believe this is my life" on "Pretty Vacant"). The vitriol hits a peak on the highlight "Rumspringa (Heartbreak Road)," the most pop-punk-sounding throwback on the album. Raneri let's it all out here, as the band matches his intensity with punchy riffs and one of many soaring guitar solos on Vacancy. The album ends with "It's Not as Depressing as It Sounds" -- which could have also been an apt album title -- a slow-burner that starts off as a dirge and ends with a gang chorus that offers just a little bit of hope after an album of seething emotions and inner confusion. Vacancy charts a tumultuous journey through Raneri's relatable struggles, providing a kindred spirit and mouthpiece for anyone who has ever been burned by love. ~ Neil Z. Yeung