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Funny Face Poster Italian 24x36 in Audrey Hepburn Cenerentola a Parigi 61x90 cm

$384.85 MXN
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Las opciones de envío

Los buques de 2 business days Detalles
No hay precio de envío se especifica en MX
Los buques de United States Us

La política de devoluciones

Refunds available: See booth/item description for details Detalles

Protección de compra

Información del catálogo

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

1950-59

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

New

Country/Region of Manufacture:

Italy

Size:

24x36 inches

UPC:

883929310951

MPN:

883929310951

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Publicado en venta:

Más de una semana

Artículo número:

144529901

Descripción del Artículo

This Italian poster for the movie Funny Face measures 24 x 26 inchs or 61 x 90 cm. Cenerentola a Parigi translates from the Italian as "Cinderella in Paris" -- the Italian title for the film "Funny Face" Funny Face is an American musical film released in 1957 in VistaVision Technicolor, with assorted songs by George and Ira Gershwin. The film was written by Leonard Gershe and directed by Stanley Donen. It stars Audrey Hepburn, Fred Astaire, and Kay Thompson. Photographer Richard Avedon designed the opening title sequence and consulted on the film; Astaire played Dick Avery, a still photographer, who is based in part on Avedon. Only four of the songs are from the 1927 Broadway musical production of the same name, and the plot is very different. Unlike her later film My Fair Lady, Hepburn sings the songs herself in this, her first musical. She performs one solo, "How Long Has This Been Going On?"; a duet with Astaire, "'S Wonderful"; a duet with Kay Thompson called "On How to Be Lovely"; and takes part in an ensemble performance of "Bonjour, Paris!". Her previous dance training is also called into play, not only in the two dance numbers she performs with Astaire but also for a Bohemian-style solo dance in a nightclub, which has since often been replayed in retrospectives of her career.