SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!* Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED. TITLE: THE COMPLETE PHOTOGRAPHER Marvelous and RARE vintage Photography magazine -- Exclusive MORE MAGAZINES detailed content description, below! * ISSUE DATE: January 1 1943 Issue 48 Volume 8 CONDITION: Size approx 7" X 9". COMPLETE and in clean, VERY GOOD condition. (See photo) IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 COVER PHOTOGRAPH by Ellis Chapin. THE VIEW FINDER by Willard D. Morgan. RAPID PROCESSING METHODS: Part II (Continued from Issue 47): Frank J. Fiaschetti: Instructor of Photography North Senior High School, Binghamton, N. Y. Rapid Processing of X-ray Films--Precautions. REDUCTION AND REDUCERS: Robert laft, Ph. D.: Professor of Chemistry, University of Kansas; Author of Photography and the American Scene Kinds of Reduction -Hardening-- Subtractive Reducers -Proportional Reducers-Super-Proportional educers-Super- Proportional Reducers--Loco/ Reduction--Preparation of Line Illustrations--Reduction of Prints. REFLEX COPYING AND PHOTOCOPYING: Vernon D. Tate: Director of Photography, National Archives, Washington, D. C.; Editor, Journal of Documentary Reproduction. I: Reflex Copying. Theory--Equipment--Technic--Improvements II. Photocopying. History of Photocopying--Technic--Equipment--Special Work--Accessories--Photocopying Paper--Processing--Legality of Photocopies--Permanence--References. PHOTOGRAVURE SECTION: Including composition analysis by Berenice Abbott. REFLEX CAMERAS: Theron T. Holden: Director of Photographic Technology, Folmer Graflex Twin-Lens--Single-Lens. REPRODUCING AND INVESTIGATING PAINTINGS: Robert H. Morris: Photographic Staff, Fogg Museum of Art, Harvard U niversity Equipment-- Films and Filters--Lighting-- Camera Angle--Exposure--Color Work--Detect-ing Repainting--Specific Example. REPTILE PHOTOGRAPHY: A. Pierce Artron: Former Curator, California Serpentarium; President, Los Angeles Camera Club. Possibilities of Danger--Where to Photograph Them--Two Approaches--Posing Reptiles--Speeds--Large Reptiles--Contrast--Shadowless Work--Field Photos--Snake Stick and Noose --Other Precautions. RESEARCH AND BACKGROUND MATERIAL FOR THE PHOTOGRAPHER: Elizabeth McCausland: Art Critic, Springfield (Moss.) Republican; Art Deportment, Sarah Lawrence College A Study of America--Photographer's Vision--The World Today--Unity With Science--See-ing Contrasts--Knowing Tradition--Documentory--Research--Bibliography. PHOTOGRAVURE SECTION: Including composition analysis by Leo Katz. RETOUCHING NEGATIVES AND PRINTS: Morris Germain, A.R.P.S.: Technical Adviser, Penn Camera Exchange, New York; Former Instructor, New York Institute of Photography Materials--Portrait Negative Retouching--Skin Cleaning-- Character Marks--Modeling--Pinholes - Spotting Negatives - Spotting Prints - Etching - Hand-Sketched Backgrounds - Stripping Backgrounds--Blocking Out--Lettering on Negatives and Prints. ______ Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31