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The COMPLETE PHOTOGRAPHER September 20 1942 Issue 37 Volume 7

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$69.61 More info
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Las opciones de envío

Estimado para llegar por Fri, May 30th. Detalles
Calculado por USPS en MX.
Los buques de United States Us

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Refunds available: See booth/item description for details

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

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Other

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

Used

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Publicado en venta:

Más de una semana

Artículo número:

1193605540

Descripción del Artículo

SEE BELOW for MORE MAGAZINES' Exclusive, detailed, guaranteed content description!* Careful packaging, Fast shipping, and EVERYTHING is 100% GUARANTEED. TITLE: THE COMPLETE PHOTOGRAPHER Marvelous and RARE vintage Photography magazine -- Exclusive MORE MAGAZINES detailed content description, below! * ISSUE DATE: September 20 1942 Issue 37 Volume 7 CONDITION: Size approx 7" X 9". COMPLETE and in clean, VERY GOOD condition. (See photo) IN THIS ISSUE: [Use 'Control F' to search this page. MORE MAGAZINES' exclusive detailed content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date.] This description copyright MOREMAGAZINES. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 COVER PHOTOGRAPH by Lawrence D. Thornton. THE VIEW FINDER by Willard D. Morgan. LIGHTING IN MULTIFLASH: Port II (Continued from Issue 36): Dale Rooks: Photographer, The Newspaper PM Multi/lash in Commercial Use. LIGHTING IN PORTRAITURE: Ted Allan: Chief of Photography, Columbia Broadcasting Co., Hollywooi Key Light--Fill Light--Backlight--Background Light--The Problems--High Key--Low Key--Edge Lighting--Glamor--The Fine Points--Camera Angle--Backgrounds--The Final Print. PHOTOGRAVURE SECTION: Including composition analysis by Paul J. Woolf. LIGHTING METHODS FOR AMATEUR MOVIES: Frederick G. Beach: Supervisor, Motion Picture Bureau, Public Relations Dept., New York Central System; Former Technical Editor, Movie Makers Combining With Daylight--Lighting and Illumination--Equipment--P hoto flood Lamp De-velopment--Reflectors--Cords, Controls, and Switches--Principles of Indoor Lighting--Special Technics. LIGHTING SOURCES FOR COLOR: W. E. Forsythe and M. Adelaide Easley: Lamp Dept., General Electric Co. Color of Light--Color Temperature--Photoflood Lamps--Causes of Light Reduction--Light Voltage--Time Lag--Relative Intensities--Speedlam p--Carbon Arcs--Fluorescent Lght--Moonlight--Reflector Angle--Reflector Surface--Reflector Shape--Diffusing Exposures-- References. LIGHTING WITH SPOTS: Walter E. Burton: Free-Lance Photographer and Writer Types of Spotlights--Uses in Still-Life--Other Uses--Color Photography--Photoflash Spot-lighting--Midget Spotlights--Equipment Notes. PHOTOGRAVURE SECTION: Including composition analysis by Barbara Morgan. LIGHTNING PHOTOGRAPHY: J. H. Hagenguth: High Voltage Engineering Laboratory, General Electric Co., Pittsfield, Mass. Where to Find Lightning Strokes--Mechanism of the Lightning Stroke--Lightning Camera--Suggestions--Electric Arcs by Arthur Polme. LIVESTOCK PHOTOGRAPHY: Part I (Continued in Issue 38): J. C. Allen: J. C. Allen Son, Rural Life Photo Service, West Lafayette, Ind. Informal Rural Scene--Equipment--Approach to Animals. ______ Use 'Control F' to search this page. * NOTE: OUR content description is GUARANTEED accurate for THIS magazine. Editions are not always the same, even with the same title, cover and issue date. This description copyright MOREMAGAZINES. 18 19 20 21 22 23 24 25 26 27 28 29 30 31