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The Daybooks of Edward Weston (Vol. 2, California) [Paperback] Newhall, Nancy -
$137.25 MXN
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Las opciones de envío
No hay precio de envío se especifica en MX
Los buques de
United States

La política de devoluciones
Protección de compra
Opciones de pago
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Rasgos del artículo
Categoría: | |
---|---|
cantidad disponible: |
Sólo uno en stock, para muy pronto |
Condition: |
Used; Acceptable |
ISBN: |
0912334460 |
Author: |
Newhall, Nancy - editor |
Language: |
English |
Format: |
Paperback |
Edition: |
First Edition |
ISBN-10: |
0912334460 |
EAN: |
9780912334462 |
binding: |
paperback |
Subject Keyword: |
'autobiography', 'biography', 'non-' |
Product Description: | |
Unspsc Code: |
55101500 |
Item Type Keyword: |
book |
Externally Assigned Product Identifier: |
0912334460 |
manufacturer: |
Aperture, Inc. |
Publication Date: |
1973T |
Supplier Declared Dg Hz Regulation: |
not_applicable |
Item Name: |
The Daybooks of Edward Weston (Vol. 2, California) |
Product Site Launch Date: |
2004-06-26T00:00:00-00:00 |
Detalles del anuncio
Envío de descuento: |
No ofrece el envío combinado |
---|---|
Publicado en venta: |
Más de una semana |
Artículo número: |
1708436190 |
Descripción del Artículo
Aperture, Inc.; 1973; 4to - over 9 3/4 - 12" tall; Paperback; Fair; Back cover creased lower edge, else G/VG.;
Additional Details
------------------------------
Product description: For more than 15 years, Edward Weston kept a diary in which he recorded his struggle to understand himself, his society and his art. His journal has become a classic of photographic literature. Weston was a towering figure in twentieth-century photography, whose restless quest for beauty and the mystical presence behind it resulted in a body of work unrivaled in the medium. John Szarkowski observes that "It was as though the things of everyday experience had been transformed... into organic sculptures, the forms of which were both the expression and the justification of the life within... He had freed his eyes of conventional expectation, and had taught them to see the statement of intent that resides in natural form."
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